Let the trumpets of war sound/ The devil
donned his war crown/ Before he made the stars frown/ By brutally breaking the
gods down to Homo Habilis/ I’m the illest/ Dropping non-GMO bars/ From a distant
star/ Toilet bowls bow/ My shit’s the realest/ Take a whiff of this fragrant fertilizer, from the Milky Way’s grand verbalizer/ Starving niggas stay
biting/ Wack artists are afraid to take risks/ These mediocre niggas be “Underwriting”/ Semi-automatic pens, for inverted friends/ The thunder god writes
lightening/ Hurling bolts with volts at scattered colts/ I blast Vikings/ I’m
past frightening/ Like history textbooks with Colgate smiles/ Riddled with
pages of white-washed truth/ I spit
candy bars/ Giving fallacies cavities/ When I blaze ya booth like a rotting tooth/ My poetry paints pictures like Picasso/ You’re more like Leaping Lanny Poffo/ Every word you speak/ Is a barren street/ Littered with feces and gaping potholes/ Venetian black leather zapatos/ Suit and tie, homie, I rock those/ Mafdet crushes the head of the serpent/ Sidewinders call me El Gato/ Sharpened number 2 lead in the bed/ Both legs
behind her head/ I, NutInMyRhymeBook/ To butter her page-spread for bread/ Dr.
Mind Bender grafted my genetics from the DNA of the Neteru/ Black Serpentor,
with an emerald tarbush, boomin’ through a speaker nearest you/ I rock G.I. Joes
with philosopher stones/ Bruising beats with brutal flows/ I’m wrapping rhymes
around the rings of Saturn/ Peep the geometry of my thought patterns/ I’m on a
mission like the Son of Sam/ My pen is Ra’ s battering ram/ Opening new doors
to alternate universes/ Yet to be explored by woman and man/ No escape from the
lyrical Hannibal Barca/ Dressed in a bamboo-green parka/ Raiding your residence/
With wild elephants/ That’ll stomp ya like Blanka/ Brolic, anabolic, psychotics/
I feed ’em antelope and cantaloupe/ Frivolous flows are pandemic/ My rhyme’s
the only antidote/ I rope a dope with stunning quotes/ Then check a chin for
another win/ My starry crown’s a throne of fire that forms the wings of the
Seraphim/ Selah-See-You/ I am H.I.M/ When the world is dark, you are the spark/ Your inner light shines within/ Gomar Oz Dubar travels far/ In heavenly fashion through designer cars/ Past Gucci asteroid belts buckling the waist of space half-past Mars/
Wednesday, December 18, 2013
Friday, November 29, 2013
The Creamy Cathedrals of Massapequa Sophia & Her Mighty Clouds of Joy
I merked the USB
Pope/ Who passionately packed her hungry Hewlett with hard drives and empty
hopes/ An insolvent soul, who went for broke/ The master blaster dug
faster with jasper until her Microsoft Apple he plastered/ He Googled her
heart/ He Downloaded her trust/ Yes, that Mac was a bastard/ With his meat
feather from nether/ He scribbled her booty like Tehuti/ With the white ink/
From the pipe linked/ To the bright pink/ On a nice mink/ Before the roar of a
scorching fireplace/ Soaring through epidermal vacant lots/ Spanning the
farthest reaches of outer space/ Poke tails in motels/ Book ahead, son. You won’t
fail/ Her pussy glue sticks to you/ Sitting on bicentennial cock blasts/ From
tall/ Star-spangled staffs/ With flags/ Flying at half mass/ Massapequa passed
the brass ass/ With flying colors like Wright Brothers in Technicolor/ Bite
your sister/ Eat your brother/ The evil witch Haggar forecasts your bloody math
with mighty Voltron’s Doppler Radar/ While dopplegang-banging on twin crips
with loaded biscuits and fried fish/ You gon’ get this work/ Like slaves pumpin’
dime bricks/ I got milk, like nine tits/ Massapequa deep-throats a speedboat/
Watch it disappear from here/ She Harry Houdinis the zucchini until it sheds
its pearly tears/ I pop hot silicon from my salami on Coptic fiber-optic
Gnostics/ Your greatest adversary’s just a Challenger/ Watch ’em take off like a
rocket/ Hot mango summers for African drummers/ Fletcher Henderson is on the
beat/ The Isley Brothers and Milton Bradley play moist pink ciphers between the
sheets/ On a neutron beach beyond reach/ With sexy contra septic skeptics/
Eclectic protoplasms stain the night/ Betraying the secrets of bodies electric/
I sired rapid rapping/ Thunder-clapping/ Billboard charts/ Natal/ Twin Tower
facials/ Downward thoughts are fatal/ The Earthquakes/ Milk Sheikhs/ Omar AbdelRahman/ Rastaman nuh rock mon/ You need a pen, I got wands/ Poetry rallies,
from my penile valley, to flood the womb of Oshun/ As I mold universes with
Ptah-Tenen ushering fools to their tombs/ Peep my Tov Nigga Maz-EL/ Cops stop
and frisk Schlimaz-Els/ She Molotovs my cock ’cause I beat box like Rahzel/ Her
tasty megawatt twat’s fat and fragrant like Sephora/ Lilith lets me tongue her
Torah/ ’Cause I’m a cunning linguist/ Hot buttered Tefellins/ My wordplay’s
distinguished/ I’m Utnapishtim pushin’ the piston/ Stirring her love, averting
the flood/ Tight perineum squeeze, I please/ Slip sliding away in the lane for
days/ I stomp the dark to spark her ark/ My pineal gland’s her clitoris, I
figure this/ Third Eye open to the Max, relax/ My double axe hacks hot tracks
with brute facts/ Then I light my flambeau, ride her like a lambo, and unleash
my tongue, before, I strum her like a banjo/ Van Gogh flow from the soul, shit
is Yurugu/ O.G. quadruplex bars from the stars are shining through you/ My / Meticulous/
Voodoo rhymes/ Are powerful Petro lines/ That bind the mind of the deaf and
blind with the subtle sturdiness of a sorcerer’s vine/ I’ll butter the summer
for Donna Stunner/ Pecan make it if we try/ My DNA strands can make her dance/ The
powerful interplay of wise words upbraids the helix of woman and man/ I bring
cyber hugs and computer love/ I want to make love to amorous minds/ I captured
the hearts of a trillion nickels, just by rhyming on a dime/ I blow hopes and
dreams to smithereens/ To give you a piece of my mind/ Guinness tall and stout/
Fangs come out/ Take a whiff of her menstrual wine/ The devil locked me inside
of his Rolex/ He said my writing was a crime/ But I escaped from his cell of
misspell/ By transcending the boundaries of space and time/ I chef that
spectacular vernacular/ Flipping mystic words like dead birds with rhythm and
verve without a spatula/ Phi Slamma Jamma architecture Dunkin Donuts like I’m
Drexler/ Astounding crowds and burning hecklers/Write a book, fuck a lecture...
Monday, October 7, 2013
The Restoration of Eulis: Passing thoughts on Paschal Beverly Randolph
This past weekend I decided to visit the birth site of one of my greatest occult influences: author, Paschal Beverly Randolph. As I stood across the street from 70 Canal Street, in what is now China Town in Manhattan taking pictures, I found myself imagining what the neighborhood looked like back in the early 1800s before the nearby Manhattan bridge was constructed. I had been planning on visiting Paschal’s birth site for a few years, but I did not actually do it until Saturday.
Sex Magic—which is arguably the most important element in the practical application of the spiritual sciences—has been exoterically suppressed by the three major Western religions which profess that bland sexual conservatism is the only true path to spiritual growth and eternal salvation. Fortunately, African American writer and occultist Paschal Beverly Randolph (October 8th 1825 – July 25th 1875) brought some semblance of sanity to the shores of North America when he taught the science of sex among many other disciplines which he is not as recognized for.
Although born in New York City at a time when most African Americans were still prisoners of war, Randolph had an opportunity to travel to Europe, the Middle East, Africa, and Asia to learn more about the arcane sciences. Randolph has been identified by biographers as a friend of Abraham Lincoln and is credited for bringing the Rosicrucian Order to the U.S. I was initially exposed to Randolph and his teachings when I read The Stargate Conspiracy: The Truth about Extraterrestrial Life and the Mysteries of Ancient Egypt, many years ago. Since then, I have found him to be a source of great inspiration.
While his successors Aleister Crowley and Helena P. Blavatsky are FAR more recognized for their so-called teachings on Sex Magic, a basic overview of Randolph’s work would reveal that they culled just about everything they knew on the subject from him. Crowley event went so far as to bite Paschal’s slang by consistently using words like “Aethyr” which was a lousy attempt to mask his use of the Paschal’s use of the word “Aether.”
The reported birth site of Paschal Beverly Randolph as seen on October, 5, 2013
Randolph said in his book After Death: The Disembodiment of Man (1868) that the Judeo-Christian account concerning the origin of the first true man on earth was a pile of bullshit. Instead he taught that the original man “is spiritual, and like God, had no conceivable beginning.” Mind you Randolph said this more than a half a century before another Libran, The Honorable Elijah Muhammad, uttered similar sentiments.
Many of us living in the age of technology don’t realize how fortunate we are to have quality information at our fingertips that better men and women who came before us had to struggle and fight for. The easy access and availability has assassinated humility and bread a high level of arrogance (which is really naive confidence) among many students. Some students of the occult tradition today are actually foolish enough to think that just because they know all of the literary sources that a teacher of the life sciences has used to develop their thesis on a particular subject that they now have the privilege of knowing everything that the teacher knows as it pertains to that subject. This is delusional thinking.
I say this because all books pertaining to the life sciences, are at best, EXTERNAL tools that can only be used to their fullest potential by those who already have an INTERNAL frame of reference for the subject matter that they are reading about. Since your internal frame of reference is based on your unique personal experiences—or lack thereof—then it should come as no surprise that no two people can share the same frame of reference because they do not share the same exact personal experiences.
For those of you who cannot personally relate to what I am saying here, there is really no further explanation that I can give you that would suffice. For those who do understand and personally relate to what I’m saying, no further explanation is needed. The truth is familiar to those who have had prior encounters with it.
Bringing diverse pieces of dead information together to bring a REASONABLE and COHERENT idea to life is an art that few have bothered to learn, and even fewer have dared to master, because they don’t have the patience necessary to do it. They would rather be seen and heard in the spotlight, than take their precious time to study, practice, and gain experience in what they’ve learned in the anonymity of the shadows.
You will only recognize and appreciate a teacher of Randolph's caliber with authentic vision, dedication, and intellect once YOU make the transition from being a superficial dabbler in dead facts to being a dedicated student of pure wisdom. The former ONLY parrots what popular intellectual celebrities have already said numerous times, all while pretending that it’s completely new information.
The latter gives credit to pioneers as well as up and coming teachers, who may not even be under their personal tutelage, when credit is due. They are not insecure and afraid that other teachers will steal their audience. This is not because they doubt the other teachers' talent, but because they are confident in the originality and authenticity of THEIR own message. Openly acknowledging the genius of others does not detract from your own greatness. It only confirms it. This inescapable truth will emerge from the burning abyss of self-discovery once we become great ourselves.
It’s painfully ironic how Randolph, a prolific author and gifted spiritual scientist, born in the month of the Scales of Ma’at could have offered so much to the advancement of human understanding, yet such injustice is done to his legacy. Like Bob Marley said in his song “Misty Mourning,” “you give your more to receive your less.” Pay homage to a master who has been forgotten by so many. Long live Paschal Beverly Randolph!
Labels:
Eulis,
Experience,
Paschal Beverly Randolph,
Sex Magic,
Wisdom
Sunday, September 29, 2013
AA Rashid Presents: The Power of the Word
According to Men Nefer (Memphite) cosmology Tehuti, the Kemetic
god of wisdom, writing, and articulate speech is the mouthpiece of Ptah, who is
the grand architect of the universe and father of the gods. All writers utilize
the alphabet of their respective languages to tell stories and convey ideas.
The word “alphabet,” literally means the first (alpha) house (beta), which is
essentially the red house if we are looking at the visible light spectrum as a color-coded
mansion for stratified photonic intelligence.
Once
a writer, or any practitioner of verbal communication, masters how to build The
First House they can construct entire
neighborhoods, cities, nations, worlds, and universes of “thought/Thoth.” Good
writing is good architecture, and every writer is a mason who uses the letters
of his alphabet as the building blocks for his own reality. Depending on the
writer’s level of ability, their reality can become yours.
But wouldn’t you rather see the
idealized visions in your own head become an inescapable reality shared by
others? Wouldn’t you like to see your personal ideals, which you often ponder
in your own private moments, reflected back to you in the everyday world in
which you live? You can begin to embark on the journey that will enable you to
become the grand architect of your own reality starting today. A.A. Rashid’s
latest video presentation, The Power of
the Word, offers unique and indispensable insight into the mystery of words
and how they ultimately shape human perception.
Rashid is a longtime student and
practitioner of the Hebrew Kabbalah who has presented some impressive lectures
over the last seven years. His titles include, but are not limited to, “Fear of
A Black Illuminati,” “The Cube of Space: The Moorish influence on Qabalah and
Freemasonry,” “The Mathematic & Magical Manipulation of Destiny,” and “Fingerprints
of the Gods: Languages Lost in the Sands of Time.”
Alongside Brother Oba—who is a third
generation practitioner of the West African life science known as Luccumi—Rashid
opens his mental jewelry box and shares some rare gems with those who have an
open eye to see them.
“What exactly is offered in mysticism—whether
it is Jewish mysticism, which is called Kabbalah, Islamic mysticism, which is
called Sufism, or Christian mysticism, in the form of Gnosticism?” Rashid rhetorically
asks his audience at the Anthroposophical Society in New York City. “The
crucial component lodged in all of them is that one must have the ability to
convey meaning. If you are sick, and you have a disease then the only thing
that can cure you of your disease is an understanding of language and communication,
do you understand? [The presence of] a disease means that there is no
communication between one area of your body and another because there is a
blockage.”
Further explanation is given with regard
to how emotional blockages in people prevent safe and effective communication. This
unique presentation is only built for Cuban link kings and queens who can tap
into the genetic bonds that bind them to the legacy of a golden past and an
even more illustrious future.
“The universe is chaos,” says Oba. “It’s
all chaos. The probabilities are like shooting dice. Anything can happen. The
science comes into play when we apply certain thinking to manipulate the chaos.
And that goes into the word. Sound is the primal part of the word.”
Throughout the E-Lecture Rashid does an
excellent job of explaining how the letters that comprise the English
alphabet—as well as those of a few ancient languages—are in fact sigils that
can stand on their own to convey profound meaning, not just when they are
configured to form the words that codify our reality. In complimentary fashion, Oba relies on
timeless West African cosmologies to explain the importance of the word within
the overall theme of creation.
If you are a conspiracy enthusiast who
wants to hear about shape-shifting reptilians from the Draco star system, then
this probably isn’t the video presentation for you. However, if you are a
dedicated student and practitioner of human psychology who wants to understand its
relationship to the African life sciences that laid the foundation for world
civilization, then this is certainly a production worth adding to your personal
video library.
To order the E-LECTure, simply e-mail
A.A. Rashid at qabalagod@gmail.com to express your intent to make a purchase.
The video is in MP4 format and will be e-mailed to you following receipt of
your purchase.
When Rashid isn’t lecturing audiences on
the esoteric dynamics of human language, he has been busy making words work
like William Wordsworth so that you can appreciate a word’s worth through the
art of hip hop music. The “Randy Savage” track below is from his Batman Mafia
mixtape which was released late last year. He is currently working on his first EP.
Labels:
A.A.Rashid,
Brother Oba,
Kabbalah,
Luccumi,
Word Sorcery
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