Search the Dark Waters of Nun

Sunday, March 3, 2019

The Gospel of Michael Jackson & The CruciFiction in Neverland

They build you up only to tear you the fuck down. That’s my thought on all of the clamor and hype surrounding the HBO mockumentary, Leaving Neverland, which explores Michael Jackson’s alleged sexual abuse of two men while they were children at his Neverland ranch.

The allegations leveled against Jackson have been proven false, so that’s the angle I’m running with as it relates to the king of modern entertainment. Although Jackson is called “The King of Pop” he was a genre-bending R&B virtuoso who could make gritty rock (Dirty Diana) or smooth electro-funk (“Don’t Stop ’Til You Get Enough).

“Pop” is not an actual genre of music. There is no distinct song structure, combination of instruments, or arrangement of melody, that distinguishes a “pop” record from other genres of music on a fundamental level.

This false designation for “pop music” is part of a sustained effort by capitalist media companies to create an artificial musical hierarchy based on who, and what, is most lucrative to white-owned commercial institutions. A pop artist is a sacrificed offering on the blood-stained altar of the music industry. Before pop artists are offered to the money gods for ritual sacrifice their necks are popped, their blood is drained from their lifeless veins, and then they’re consumed by the hungry mob.

What we typically call pop music is a 3-4 minute commercial that doesn’t sell any products. Instead, it sells a consumer lifestyle or curious social agenda that has been fostered by social engineers. It’s a sexy and seductive form of propaganda that is playfully made to appear as if it is art for the sake of art, but it really isn’t. Everything about it is cloak and dagger.

In Hebrew Gematria the word “pop” has a numerical value of 166 which is also the value for “Kether” which means “Crown” in Hebrew. In the Judaic cultural tradition words that share the same numerical value are synonymous with one another no matter how far removed from each other they may appear to be at the surface. Gematria is a universal algorithm that shows us The Internet of Things.

The King of Pop is therefore the King of Crowns which makes him the King of Kings who is ultimately sacrificed for the eternal life of the capitalist economic power structure. Until Michael Jackson released his debut solo album the music industry was in the midst of fiscal trials and tribulations. Folks were hitting the clubs heavy, but they were not buying albums. Then Michael Jackson released Off the Wall

He fed the multitude with the spiritual fish that traveled through his infectious sound waves. That was in 1979. By 1993, when child molestation allegations first surfaced, he was being crucified by the high priests of media and their corporate sponsors. The new HBO mockumentary is intended to be the mythical Spear of Destiny that pierces the flesh of the crucified Christ.

Capitalism didn’t begin with the African Slave trade. That holocaust was an effect of a cause. Like many other culturally influential things, Capitalism began with a book. It wasn’t Adam Smith’s Wealth of Nations, either. It was the New Testament of the Bible, which teaches you that your salvation must come at the horrific demise of another being.

After centuries that moral ethic gave us capitalist plantation owners who terrorized African slaves. It also gave us wealthy C.E.O.s who run nonunionized employees into the ground for a minimum wage that doesn’t even allow workers to pay their rent. The number of people who are working , but are still homeless, is growing across every major city in the U.S.  The worker is exploited (crucified), so that wealthy men without a conscience may have everlasting life.

In the Bible the King of Kings feeds the multitude with two fishes. As reflected in Gerald Massey’s book The Historical Jesus and The Mythical Christ, this meal symbolizes the spiritual food inherent to the astrological Age of Pisces, not literal food on a dinner plate. The zoomorphic imagery associated with Pisces are two fishes facing opposite directions.

The mythological Christ who tells us that we must become like children to get into Neverland (Matthew 18:3) is the designated prophet of the Piscean Age. The Neverland of J.M. Barries’ fictional Peter Pan-centered literature is a metaphor for the Judeo-Christian heaven that believers still look forward to after they die.

The Leaving Neverland documentary initially aired on March 3 in the astrological season of Pisces. This is not by coincidence. Jackson’s Neverland Ranch is an ode to the home of the fictional Peter Pan who lives there. Furthermore, Neverland Ranch is in Santa Barbara, California which is named after the Catholic Saint Barbara, who like Christ, is regarded as a martyr for the church.


                                  Peter Pan

The name “Peter” in “Peter Pan” comes from the name “Ptah,” the Kemetic deity who is often shown cloaked in fish scales, which further connects us to Piscean imagery. The oldest statues of Ptah depict him as a dwarf, so he initially had a child-like frame like the fictional Peter Pan character. Also the astrological sign of Pisces governs the feet, which are critical to the Moonwalk, that made Jackson a world-wide legend in the realm of dance.

When Jackson was born his moon was in Pisces. This speaks to his ability to tap into the deep emotional reservoir of humanity with his music because he ran the gamut of these very same emotions in his daily life on earth.

The name for “fish” in Hebrew is “Nun.” In the Phoenician alphabet that preceded old Hebrew, Nun is also a letter that resembles a lightning bolt, a photonic flash of energy that descends from the heavens. Dogon cosmology informs us that the fish-like entities, the Nommo, descended from the heavens because they were banished. According to Christian mythology Lucifer fell from heaven in the instant flash of a lightning bolt that resembled the number 777.

Michael Jackson was a Virgo, and in the domain of Christian astro-theology, Virgo represents the angel Lucifer at the height of his favor with God before the great fall. This is what you’re seeing when you look at MJ wearing light-bearing rhinestones in his “Rock With You” music video. With the green light of Venus shining behind him, he’s a man at the height of grace, considering challenging for the throne. Libra signifies Lucifer after his Fall from Grace, which is why Libra inaugurates the Fall season. Virgo and Libra are ruled by Venus, “The Morning Star” of the celestial sphere.

In the old Hebrew alphabet Nun is also a letter, and it has a numerological value of 50. Michael Jackson was 50-years-old when he transitioned on June 25, 2009. Instead of a lightning bolt in the Phoenician alphabet the letter nun resembles a serpent. It is widely believed that the serpent in the Garden of Eden that spoke to Eve is none other than the Fallen Angel Lucifer.

The mythological Christ and Lucifer are one and the same. They share the same numerical equivalent in simple gematria and they are both known as “The Morning Star.”  In Europe’s Holy Grail mythology the grail is believed to be the cup used by Christ during the Last Super, but it is also believed to contain the jewel from the crown of the Fallen Angel Lucifer, “Lapis Exilis.” Which rendering is true? Perhaps both. I’ll explain later.

Throughout his adult life Jackson—who wore the number 777 on one of his jackets—was the mourning star who mourned the loss of his childhood. As a little boy his dad forced him to focus on his career instead of just being a normal child.

The name “Lucifer” literally means “light bearer.” I broke the name “Lucifer” down in detail in my book, The Treasures of Darkness: Living Jewels for Spiritual Resurrection. Lucifer is a highly melinated empathic being. In another sense, Michael was figuratively the “light bearer” of our time because he was an international icon who carried a disease over the better part of his adult life called vitiligo that made his skin light.

Some readers may be asking themselves why I am filtering Jackson’s professional legacy through the lens of Jewish mysticism. My answer is that every soul has its own song. We simply dance to the beat of its infectious drum. Michael’s beat (his personal mythology) is Judeo-Christian. The Bible is the HTML (Hebraic Textual Magic Language) source code that undergirds the collective cultural program for people, places, and things in Western civilization.

Besides the fact that the music and film industries that Jackson was a part of are by and large coordinated by Jewish executives, it is important to understand that the entertainment industry is also dominated by the Judaic Messianic narrative which is at the heart and soul of Jewish Theater Sorcery.  It manipulates the unified mediums of music, writing and moving images to influence human perception on a global scale.

Let’s put something in perspective. Leaving Neverland aired right after a week of international news stories involving an 
internet character named Momo ran. Momo has been terrorizing young children across the globe while they are watching children’s videos on YouTube.

Based on the platform’s algorithm, the video of Momo appears in between innocent children’s videos persuading them to commit suicide. Momo also tells them that if they reveal his identity to adults he will come into their rooms while they are sleeping and kill them. Momo is  actually a caricaturized depiction of Michael Jackson in his later years as an abuser of children. A caricature, not to be confused with a character, is an extreme exaggeration of a persons actual appearance. Compare the photos below for yourself and draw your own conclusion.

The whole Momo fiasco is designed to make young children subliminally afraid of Michael Jackson and shy away from his musical legacy. In Hebrew gematria the name Momo has a numerical value of “92” which corresponds to the Hebrew word “Pachad” which means “Projected Fear.” Momo’s whole purpose is to spread fear among innocent young children to tarnish Jackson’s legacy. Momo is a deviant Nommo, teaching the ways of Death instead of life. Also the true Nommo of Dogon lore are androgynous beings and Michael Jackson was as androgynous as they come. When we decrypt an encrypted evil intelligence we strip it of its power.

In ancient Kemet’s distant past, the netcher Set was a hero. There is a story about him boldly defending Ra from the serpent Apep. However he is most recognized today as the first villain in a religious text. Like I said earlier, folks will build you up, only to tear you the fuck down at a later time. Media Sorcery can make disciples once believed to be loyal turn their back on the Christ, declaring “I never knew him.”

The Jewish Messiah is arguably the world’s first celebrity. The very concept of celebrity is rooted in the narcissistic notion that only one man or woman adds unreciprocated value to a multitude of other men and women of lesser drive, skill, initiative, and intelligence.  

The celebrity as a divine archetype is what is fundamentally at the core of the Messianic motif in Judeo-Christian mythology as we have culturally observed it through media. Its underpinning value is that only one man can shine at a time until they are sacrificed for the greater good, and another nice guy takes his place on the cross, which is a revolving door of human sacrifice.

        Prelude to the crucifixion via Theater Sorcery   

The HBO cable network airing Leaving Neverland is owned by AT&T, which owns multiple media platforms including streaming services. Michael Jackson’s music publishing is owned by Sony/ATV, which is the world’s leading music publishing company. I wouldn’t be surprised if AT&T acquires Sony/ATV in the near future. In attacking Jackson’s legacy, which is a prized asset of Sony/ATV, it compromises the net worth of the entire company, which makes it more vulnerable to being purchased than it was before the smear campaign.

Hebrew gematria allows us to accurately identify the role and function of each person or corporate entity within the mythos of the persecuted Messiah, which is a decidedly Judeo-Christian archetype. The biblical story of the crucified Messiah was constructed from ancient Greek tragedy literature filtered through the dramatization of celestial phenomena like the rising and setting of the sun. As a literary genre, the Greek tragedies of Hellenic literature are forerunners to modern horror movie franchises like Friday the 13 and Nightmare on Elm Street.

Jackson’s greatest selling album is “Thriller”. A thriller is a sub-genre of the horror movie. If you listen to Jackson’s album title track “Thriller” with your heart you will discover that the song is really about the resurrection of a people that the world thought was left for dead.

At the 1:24 mark of the song Jackson says “You close your eyes and hope that this is just imagination. But all the while, you hear a creature creeping up from behind; you’re out of time, ’cause this is THRILLER.” Thriller the song is about YOU and your rise from ignorance and mental death. Vincent Price’s vivid monologue at the end of the song could easily be a colorful description of a Nat Turner slave rebellion.

The entire Thriller album musically articulates the Christ myth. “Billy Jean,” is about the Virgin Mary’s birthing of the Christ from Joseph’s perspective: “She’s just a girl claiming I am the one, but the kid is not my son.” Well, of course. The Christ is called “The Son of God” not the son of Joseph. The kid is not Joseph’s son. The song “Beat It” is about the frauds and con artists that Christ drives out of the temple.

Thriller is essentially a gospel album about resurrection, and the resurrection of the Christ is a metaphor for the long-awaited rise of a people. Jackson’s musical catalog is a celebration of the human spirit and the soundtrack to our greatest human experiences. The imagination is the lucid vision emanating from the heart.  Jackson inspired us to follow the gleam of our own light spectrum. For that, I am very grateful. Michael Jackson has risen and the moon is dancing.