The internet is a wonderful tool that
assists us with achieving short and long-term goals. Its deep and fruitful portals provide us with
virtual spaces for learning and entertainment.
However in America, its social media
component—which industrious people
effectively use for target market research purposes—has a tendency to
foster a false sense of social inclusion, while people live their real
day-to-day lives in self-imposed social bubbles.
The paradox, here, is that these same people feel emotionally constrained by
the frequency fence of cultural exclusion and widespread alienation. Their paradoxical love and loathing for
humanity has them wanting to intimately connect with other human beings from
afar, which is Virtually impossible.
In a recent conversation related to this very
topic, a great woman told me that a healthy functional human being requires at
least eight hugs a day. There are people whom you see regularly on social media
who have not been told that they are
loved by anyone within the last week,
much less hugged once a day. This may feed their latent narcissistic
tendencies, because all human beings desire to be seen.
To be seen AND acknowledged is to be
experienced by others. Contrary to what you may believe, you do not really
exist in the world unless you are experienced by others. This fundamental
understanding of human nature has made Facebook a multi-billion dollar business
enterprise.
I remember when Facebook was only
used by college students around 2005. In 2008, before it reached peak
popularity within the global populace, I proposed building an online social
media platform to uniquely address people's desire to be seen and heard to my
former business partners.
Looking to the future, I saw an
online platform that allowed people to generate Social Capital as a valuable
and lucrative prospect. I was figuratively patted on the head like a dog as if
I said something cute, but stupid. In
2017, millions of people are connected through a nexus of social media networks
that accomplish that very end.
On social media people often share caricaturizing images called “Memes.”
The word “Meme” was coined by biologist, Richard Dawkins, and it was originally
used in reference to ideas that are
spread through a culture in the same way that a “Gene” is spread
through human DNA over time. The term is further derived from the Greek
word “Mimeme” which means “that which is replicated through
imitation.”
Why did the word
“Meme” become synonymous with
silly pictures of Michael Jordan in tears, or a little African boy giving a
white woman the side eye? We'll get to all of that shortly.
In the word “Mimeme” you will see the
word “Mime.” A Mime is someone who tells a story without speaking. They do this
by physically gesturing to music that they mimic through their own syncopated
movements. These gestures comprise a kind of dance, since dancing is an
activity in which we allow our bodily movements to mirror sound vibrations.
When you dance you are rapping to music with your body, as opposed to spoken
words. Rhythm And Poetry are divine, but the world's oldest language is body
language.
When you have an online community of
millions of people sharing memes that they replicate across the world wide web, they are
figuratively dancing to a special rhythm being played by a special DJ. This DJ
is what social science experts would call a social engineer. Our DJ reads his crowd through his infectious
rhythm of choice, which is an algorithm. An algorithm is a computing mechanism
that helps the social engineer determine future probabilities based on current
trends of activity within a closed computer matrix. An open matrix would
potentially introduce an unlimited amount of variables to be processed, which
would disrupt the algorithm by throwing it off beat.
The fashion, music, food, and
language of popular culture are often
based on a deliberate perversion of human consciousness through computed speculations on what its impact will be after it has been filtered through
its ideal modes of expression in the day-to-day world. Once conclusive
assessments of its impact are made, its preferred utilities for tangible
expression are manipulated so as to reverse the flowing current of Natural
consciousness to suit the perverse agenda of the social engineers.
People can lock into the
algorithm for sensationalism and develop a product for profit in the
marketplace
The Greedy Algorithm moves the crowd
because it mirrors man's most primal,
and therefore most Natural, instincts for self expression. No matter how
brilliant a person is, or how stupid they may be: everyone wants to eat good
food and fuck. Don’t trust physically healthy people who tell you otherwise.
The algorithm is the conceptual basis for
Futures Trading on the Stock Exchange, and it was a part of Western culture
long before the advent of the modern computer.
When we look at the etymology behind
the word “Algorithm” we find that it is an Anglicized rendering of a
computational system introduced by Arabic-speaking masterminds. It was
appropriated by Latin and French speaking Europeans during the Medieval period
after it was introduced by Moorish mathematicians.
The word “Algorithm” is actually a
fusion of two different terms from two different cultures: “Algol” (Arabic) and
“Rhythm” (Greek). In Islamic thought an “Algol” is a “ghoul” which is also
known as a “Jinn.”
An algorithm, is essentially, the rhythm of
the jinn. The jinn are principalities of the smokeless fire of Islamic lore who
have access to the past, present, and future. They keenly observe the days of
futures past as Speculators peering out from the mount of eternity. While it is
simply my own conjecture, I suspect that the artist Jean Michel Basquiat has
achieved, what appears to be, cultural permanence in the past, present, and
future because much of his art contains his own subconscious depictions of the
Jinn who served him.
Jinn?
Now why would the Moors—whom the
grossly uninformed tell us were all
Muslim—develop a mathematical system based on a spiritual army of Islamic
Fallen Angels? I’ve given the answer to this important question in several of
my writings already.
Many of the historical Moors were NOT
Muslim. They practiced TRADITIONAL AFRICAN MAGIC AND SORCERY under an Islamic
cultural veneer for political convenience. Some of the spiritual intelligences
that these Africans worked with would be considered Jinn within an Islamic
cultural framework, or revered saints in a Catholic one.
If you live in a large American city there are
legitimate, and seemingly community-friendly, businesses in your neighborhood
that are actually fronts for illegal and far more lucrative forms of business
in the criminal Underworld. Today, humans are still doing what they've been
doing for centuries, and that is hide the socially unacceptable behind that
which is socially celebrated and revered. Modern Western society is a sexually
stimulating and physically alluring woman who smells like patchouli and
lavender bath salts but her vagina has razor sharp adamantium teeth for
consuming penises for sustenance.
Any purported spiritual teacher
pulling from the Moorish legacy who has not given you a fundamental
understanding of the CULTURAL DUPLICITY of the historical Moors of the medieval
era is a FRAUD, with little or no exception.
The history making Moors of old
Europe were the descendants of Africans. For Africans, regardless of the nation
they hail from, religion is politics. Spirituality is based on ancestral
customs and traditions. An old boring Haitian lady who tells you that she's a
Catholic probably knows more about
African magic and sorcery from an OPERATIVE standpoint than most of your
charismatic teachers in the conscious internet community.
For the naively confident reader fatally
prone to surface comprehension, I know that Haiti is not an African country
(lol). What I'm talking about is the African principle of CULTURAL DUPLICITY
that is very much alive in the Haitian mind.
Everyone doesn't have to know the specifics of
what you are involved with unless they are part of your inner circle, which
implies the existence of multiple concentric circles.
The African mind is different from
the African American mind in critical areas. We must not project the latter
onto the former when reconstructing and
then reclaiming the winning psychological framework of antiquity. It's
presumptuous and sloppy. Furthermore, if you do this, you will have a hard time
putting critical aspects of history in its proper context, especially as it
relates to the Moors of the Middle Ages.
When you share corny meme photos
because you see other people doing it, you become an imitator, a “Pantomime,”
who advances what I will call the “Pantomeme” of cultural stupidity through the
world wide web of cyberspace. There is a spiritual connection between the words “Mime” and “Meme” as I suggested earlier. Perpetual
exposure to meme images braid the cultural DNA of the global community
according to the dictates of social engineers who create the meme.
NBA legend Larry Bird once said that
Michael Jordan is “God in basketball shoes.” However memes have
reduced him from being a hoop god to the
crying, pathetic butt of jokes. There are millions of young people who don't remember
Jordan as a superior performer and athlete in his prime. For many today, he is
just a random pathetic looking man crying on their timelines, which are digital
“akashic records” .
Tom Brady, who is one of the great
professional athletes of his time, has not been subject to this level of social
media scrutiny because of what he represents to the leading social engineers of
the Anglosphere. Whether or not you personally like Michael Jordan for his politics, or business
ethic is irrelevant to the specific point that I am making here.
The fact of the matter is that anyone
you DO admire can be easily redefined and recontextualized in a way that does
not even begin to capture their true cultural significance and social value in
real life. This can have an unfavorable
impact on those who do not control the trending meme that dictates the new
cultural narrative through repetitive sharing, which is the world wide web's
equivalent of ejaculating the same
malignant seamen into several gaping vaginas to ensure the transference of
specific genetic traits through time. This is what occurs with the spread of
the psychic gene known as a “Meme.”
One digital dick is fucking multiple
receptive young minds that give birth to bastard pantomimes. Memes proliferate
within a youth culture that does not value history, hence they are an attack on
older, nobler cultures curated by people
who venerate their ancestors. The Anglo media's contrived youth culture only
values what is current and present. The Ancestral Fluidity it promotes corrodes
the solid structure of lofty cultural
legacies.
A computer is a spiritual shrine for
the newly generated Digital Jinn that coordinate human affairs in the cyber
world. This cyber world has become the
Virtual grand lodge where new myths are written and disseminated to advance the
globalization of Anglo-Saxon civilization.
This agenda to diminish the spiritual
authority of the Stellar Man can be thwarted by those who dedicate themselves
to learning the magic that allows them
to reverse the streams of cultural character defamation in the interest
of preserving an older and richer cultural identity. Check out my dude Chris Magneto and his partner in rhyme, Tanboy Gio, on the track below.
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