Spirits—which can, and often do, have
minds of their own—are generated into existence through the concentrated focus
of other beings, including humans. Nike is a multi-billion dollar sneaker
company because it has superimposed the Nike swoosh onto the collective consciousness of the
global populace. The logo was drawn by University of Portland art student,
Carolyn Davidson, at the request of Nike honcho Philip Knight who paid her just
$35 for the design in 1971. Davidson’s swoosh is an abstract depiction of a
wing on the back of the Greek goddess, Nike.
She was widely known as the goddess “Victoria”
in ancient Rome, which rose to prominence after the collapse of ancient Greece.
Nike is the perceptual focal point who embodies victory in war and other competitive
endeavors including debating. Many of the descendants of African slaves love
Nike sneakers, therefore it should not be surprising that many of them also
love debating, and gravitate toward public squabbles between WWE rejects posing
as activists and intellectuals.
Nike
Today, when people across the globe
see the Nike swoosh, they are seeing a visual representation of a Greek goddess
converted into a popular sneaker brand. This is how you continually transfer
the power of an ancient deity across large tracks of time that span thousands
of years. You convert the currency of the god, or goddess, into a product that
has considerable value in the global marketplace.
In the Black conscious community you often
hear folks say “I'm a god,” or “I’m a goddess,” all while complaining about
being treated like slaves by other races in the past and in the present. The
irony about all of this is the fact that REAL gods and goddesses ARE bought and
sold because they are highly coveted tools in the marketplace.
When the Nations of Gods and Earths
took Elijah Muhammad’s message that “the Black man is God” from the temples to
the streets, the New York City Board of Education responded by taking the music
instruments out of the schools, so that the newly self-professed gods could
generate new merchandise for the marketplace in the form of hip hop music. While
in elementary school I even had a music teacher between 1984-1985. She was
displaced after the New York City Board of Education cut off all funding for
that program at the same time that crack-cocaine was hitting the streets hard.
The frenetic pace of crack-era New
York City inspired the sound s of Public Enemy, one of hip hop’s greatest rap
groups. The instrumentals for “Welcome to the Terrordome,” “Night of the Living
Baseheads” and “Brothers Gonna Work it Out” could have only come out of a wild,brazen
and ultimately unpredictable zombie culture.
Up until this point, what ethnic
group has had overwhelming control over the production, distribution, and
ownership of Black music? It’s the same group that took the instruments out of
the public schools so that their friends and relatives could make billions of
dollars for themselves off of what would later become the hip hop music industry.
This industry was created as a response to the absence of traditional musical
instruments. I highly recommend that you watch the Dave Chappelle Netflix
special The Bird Revelation, for a
very amusing explanation of how capitalist pimps have created the used and
abused individual that some arrogant conscious folks who think they’re geniuses
(but have only mastered the art of mindless memorization), call gods.
Yes, the Black man in America has
been a god based on his assigned function as a magical worker bee, but up until
this point, the Jewish businessman has been something more powerful than a god.
He has been a merchant. The merchant who owns capital and controls the means of
production consumes the power of the Black god, the Black worker like freshly
prepared locks and bagels. A god is a worker.
I am not a god. A god is a pair of
sneakers. Old white men with inferiority complexes place their feet inside of
flashy looking negroes. They literally and figuratively wear them out as high fashion
to feel better about themselves. Niggers are Nikes and Nikes are gods.
Through cultural ignorance the “god”
of Germanic folklore has been recontextualized as the embodiment of a universal
principle or expression of nature’s intelligence. This universal principle or
natural intelligence can be identified by its distinct motion, which is a clear
indicator of its FUNCTION within the vast cosmos. Your function places you
under the submission of an administrator that has no function but to
orchestrate your distinct movements and curate the tangible products of your
expressed function. The successful manufacturing of these products augment the
administrator’s value in the market
place.
You will know that hip hop as an
active art form is dead once a major museum is built in its honor that makes
people from across the globe want to make holy pilgrimages to see its curated
content. It's only value at that point will be as an antiquated cultural object
of deification and reverence, and not as an active influence that shapes and
molds pop culture in real time. The life pulse of mortal men and women is in
the city streets, which is the soil from which pop culture arises. A museum is
a glamorous foster home for immortal employees whom English speaking people
call “gods.”
Within the grand cosmology of the
workplace, workers carry out the FUNCTIONS carved out for them by their
administrators in their localized galactic sector known as a cubicle.
The collective focus of loyal patrons
who have purchased Nike products over
time has created a powerful and very intelligent Nike spirit that feeds ideas
and concepts to Nike’s chief operating officer
and board of creative directors like a bitter house negro slave buck dancing
for its masters, so that the brand continues to prosper financially over time.
In Western occultism, this powerful spiritual being is known as an egregor, a
quilted patchwork of spiritual energies bound by one single thread of intent, one singular mind.
This is why the Negro egregor cannot
unify and tangibly support those who attempt to help him. It’s because he is an
internally conflicted patchwork quilt of ancestral trauma and resentment. The
creation and subsequent control of an egregor, or any of its conceptual
variants, is the esoteric basis for every company logo that you’ve ever seen
in your life. Negros are programmed by logos.
What is the intention behind YOUR company
logo? At Mind Glow Media we engage in the practical study and application of
the spiritual sciences to empower ourselves and those whom we are intimately
connected to. We do not gush endlessly over empty relics of the past, nor are
we tireless cheerleaders for the icons of yesteryear. We are the cultural
architects of an emerging world constructed by the cranes of human ambition and the cement mixers of
natural ingenuity to foster the living
edifice of human excellence.
The Nike spirit serves its corporate
generators because it is the ripened fruit of the INTENT of those men who developed the Nike brand in the first
place. The spirit has a vested interest in the financial prosperity of the
sneaker company. The company's goal was to create an image that would
distinguish the brand and make it prosperous in the global market place. A spirit's
role and function is determined by the focused intentions that generated it
into being. In like manner, the House Negro and Field Negro are both tools of
industry. Spiritual people who speak English and filter their spiritual
intelligence through Western Occultism would identify these tools as gods.
Buy my book here: www.mindglowbooks.com
Buy my book here: www.mindglowbooks.com
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